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		<title>AlexHeizer.com: Blog</title>
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		<description>personal blog of Alex Heizer</description>
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			<title>Presenting: Handwritten Blog Posts!</title>
			<link>http://www.alexheizer.com/blog/post/archive////presenting_handwritten_blog_posts/</link>
			<description>I realised that as a result of using my computer so much for even the simplest of note-taking, my...</description>
			<content:encoded><![CDATA[I realised that as a result of using my computer so much for even the simplest of note-taking, my handwriting has suffered. I've decided that I will go back to writing as much as I can, starting with this blog post. I'll write all of my blog posts by hand now before transcribing them into the computer. 
As an artist, I do feel more connection to everything that I create when I use what artists refer to as &quot;real media&quot;. For a visual artist this means using pencil or paint on paper or canvas, etc., rather than just creating a picture on the computer. I generally make a drawing and then import it into the computer for finishing. How much finishing I need to do depends on how rough or finished the real media version is. Sometimes I'll scan in a finished drawing and do some minor corrections like levels or color correction, but often the real media version is a finished line drawing in pencil or pen that I color using a graphics tablet in Photoshop.
I like the idea of creating real media blog posts. I think, like with my line drawings that if I focus on my pen as I create them, my handwriting will improve just like my drawing skills have.
Only time will tell. But I'm looking forward to seeing any improvement!]]></content:encoded>
			<category>Art</category>
			
			
			<pubDate>Sun, 18 Jul 2010 14:34:00 -0500</pubDate>
			
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			<title>The Pursuit of Artistic Excellence</title>
			<link>http://www.alexheizer.com/blog/post/archive////the_pursuit_of_artistic_excellence/</link>
			<description>I've mentioned before about the people who come in to Skin Deep with work that needs to be fixed or...</description>
			<content:encoded><![CDATA[I've mentioned before about the people who come in to Skin Deep with work that needs to be fixed or covered up. While there are some great artists out there, there are also some artists who do need to work on the quality of their work. How can you know the difference before you have them placing a permanent mark in your skin? First, you can check out the suggestions I made in Part 1 of my post on Tips For Getting a New Tattoo. But the best way is to look at how they view their work.
For anybody, how they approach the work they do shows what kind of work you will receive from them. Ideally, everyone will take pride in the work they do and always strive to create great things. Unfortunately, a lot of people these days cut corners and lose focus, which results in work that can use a lot of room for improvement. When we see things that have stood the test of time, whether it's a statue by Michelangelo, an Alfred Hitchcock movie or a Horiyoshi III tattoo, we see the creation of people who spent an incredible amount of time and care towards making something as great as it could be. It's that pursuit of excellence which makes the difference between something good and something that can stand the test of time.
This is not to confuse a rockstar attitude with the pursuit of excellence. You may encounter a lot of artists out there who will talk about how awesome their own work is. But while it's good to be proud of your creations, a true artist will also have concern for how to improve their work the next time. A good, professional-level artist will be proud to show you their work and give you the time to look over it so that you can decide for yourself just how awesome you think it is. They will understand that art is subjective, and that what one person finds awesome another might find terrible, or even worse, blah.
It's long been considered the sign of a great chef to be able to cook a perfect egg. Likewise with any other artist. While huge back pieces may look impressive, a bad artist can make a terrible huge back piece just as easily as a terrible small peace sign on an ankle. At a quick glance a back piece can look much better from across the room because you aren't close enough to see all the sketchy linework and patchy coloring compared to the small peace sign that you will probably be viewing up close. The only difference is that the artist would have spent a lot more time covering the back than an ankle, but both would be equally terrible. To an artist that is worth you spending your time (and money) getting a tattoo from, there are no small pieces -- there are pieces of every size, but even a full back piece is created one square inch at a time. If an artist can't put all of their heart and soul into a one square inch peace sign, that shows they do not value their artwork. And neither should you.
When looking for an artist, find one that you not only like the work in their portfolio, but also their perspective on the work they create. Their love of creation and striving for excellence in their work should show through clearly as you talk to them about their work. Then you know you've found your artist.]]></content:encoded>
			<category>Art</category>
			<category>People</category>
			
			
			<pubDate>Tue, 13 Jul 2010 16:40:00 -0500</pubDate>
			
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			<title>Tips For After You Get a New Tattoo</title>
			<link>http://www.alexheizer.com/blog/post/archive////tips_for_after_you_get_a_new_tattoo/</link>
			<description>Now that you've taken my advice in my last 2 posts and used all the tips to get a great new tattoo,...</description>
			<content:encoded><![CDATA[Now that you've taken my advice in my last 2 posts and used all the tips to get a great new tattoo, what then? Here are a few tips for what to do after you get your new ink.
1. Show off your new work. If you're happy with it, don't be afraid to let people know! After all, it's helping give you a little beauty in your life, and it will make you feel good to share that beauty with others.
2. Come back into the shop and show off your tattoo to the artist. This is another great way to connect with the person who gave you something so personal that you'll enjoy for the rest of your life.
3. Bring a friend into the shop. A lot of people get their first tattoo after seeing a nice one on a friend. Many people are nervous about the process, so helping out a friend can be something that you two can share and create a great memory together. Here at Skin Deep, I get a lot of people tell me that they always wanted something but was too nervous or scared of the pain to get one until a friend or family member got one. I've had customers bring back in a husband, wife, brother, sister, cousin or best friend after getting theirs and had more than a few people returning with multiple first-timers.
4. If the artist or shop has a website, go visit it. It may be a MySpace or Facebook page, or even just a Twitter account. They may have their own full webpage (like this one!). In any case, if you like their work, follow up with them and check out more of their stuff. Skin Deep's MySpace page is located at http://www.myspace.com/skindeeptat-2
5. Once you've found their site, connect up with them. Artists like seeing how their creations are doing once healed. The tattoo industry is a people-oriented environment and it's the people getting the tattoos that make every day interesting. All of the social media pages like MySpace, Facebook and Twitter have ways of befriending the artist and making that connection and most personal websites at least have a contact form or email address listed. So...
<ul><li>Friend them and make the connection</li><li>Leave them a comment to let them know how you like their work (just use the comment field at the end of this or any of my blog posts!)</li><li>Send them an email with suggestions on what you liked about the entire experience and things that could help improve the experience the next time</li><li>Send them a photo of the work they did for you now that it's healed. An artist loves to see their creations &quot;In The Wild&quot; and a photo is something they can share with others on their site</li><li>Send them a comment or email that they can use as a testimonial on their website</li></ul>

6. If the website has a newsletter or announcements sign-up, then sign-up! That way the shop can connect back with you and thank you for being a customer by sending out coupons or discounts, or event announcements like in-store promotions or conventions the artist will be attending.
7. If for some reason your tattoo doesn't satisfy you, come back into the shop and talk it over with the artist. There are many reasons why a tattoo can heal with some light spots, and not all of them involve bad work on the part of the artist. These include variations in the skin, bumping it hard while it's healing, clothing rubbing against it as it heals, some diseases and medications, etc. A professional artist will stand behind their work and give you the touch-ups you need to make sure your tattoo looks fantastic for the rest of your life at no extra charge to you. If an artist tries to charge you for a touch-up to the work they did, walk out of that shop and find a quality shop that will stand behind the work they create. In order to make sure you're happy with the touch-up, wait until the tattoo is completely healed first (usually 2-4 weeks). This will allow the artist to see the tattoo clearly and touch up all the places that need it, all at once.
All in all, getting a tattoo should be a positive experience and doesn't have to end when the artist puts on the bandage. If you know of any other ways the experience can be made better, let me know!]]></content:encoded>
			<category>People</category>
			<category>Work</category>
			
			
			<pubDate>Thu, 10 Jun 2010 01:00:00 -0500</pubDate>
			
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			<title>Tips For Getting a New Tattoo - Part 2</title>
			<link>http://www.alexheizer.com/blog/post/archive////tips_for_getting_a_new_tattoo_part_2/</link>
			<description>Here are some more tips to help you have a great experience the next time you go for a tattoo.
1....</description>
			<content:encoded><![CDATA[Here are some more tips to help you have a great experience the next time you go for a tattoo.
1. Wear something loose and comfortable on the area of the body that you'll be getting the tattoo. It makes it easier for the artist to do quality work, since they won't have the distraction of working around your clothes. It makes it more comfortable for you, since you won't have the artist choking you while doing your shoulder. And, when it's time to get up and leave you won't have something wrapped snugly around your new tender skin.
2. Something old, something black. This may seem a bit strange but the longer the artist spends working on your piece the greater chance there is of accidentally getting an ink smear or two on whatever clothing is near. Of course, an artist should always be careful of their work and environment, but accidents do occasionally happen. Giving your artist one less thing to be concerned about can only improve the quality of the work, since they can focus on what they're doing instead of not getting black ink on your brand new $120 Lucky shirt.
3. Ask if they accept credit cards if you want to pay using plastic instead of cash. Some do, some still don't. Don't assume.
4. Don't get drunk or high before getting a tattoo. Impaired judgment is not something you want when you're deciding to get something permanently altered on your body. Also, alcohol and many drugs thin the blood, which makes you more prone to bleeding while getting needles stuck into you. One of the major functions of blood leaking from a wound is to clean it of any impurities, and it doesn't differentiate between dirt and pigments. Getting a bad tattoo as a result of getting one while drunk is a sure way to make your friends laugh at your expense and your artist hate you for ruining their work. If you can't abstain for the short time it takes to permanently modify your body you need to examine what problems you have in your life that make you unable to.
5. Some diseases and treatment drugs make it difficult for your body to heal. Make sure your immune system is in adequate shape to handle the recuperation process. If you have health issues or are on medication, discuss it with your doctor first before ever even talking to an artist! A true artist wants you to benefit from the experience not put your life in jeopardy just so you can line their pockets. While some artists act like their work is the greatest thing ever, nobody's health is worth sacrificing for a pretty picture.
6. Think. I have had people in my shop come in with money in their pocket asking me &quot;What can I get for this much money?&quot;. While that seems to be a good thing for a shop owner on the surface, in reality it's a very irresponsible way to decide what you are going to permanently alter your body with. Invariably, these people will look at butterflies, tigers, skulls, pin-ups, cartoon characters, cars, devils, cards and/or dice, sacred hearts, leprechauns, eagles, wizards, dragons, stars, barbed wire, clowns and everything else on the wall and end up choosing a tribal design. Nothing says &quot;regret&quot; like a hastily-chosen tattoo with the most solid application of the darkest color possible. Once buyer's remorse does set in, there is nothing so un-fixable as a 4&quot;x6&quot; mess of deep black squiggles. One of my favorite things is explaining to someone that the tribal piece they impulsively got when they were young and impatient can't really be covered by anything except a bigger tribal piece (or a big black rectangle). And yes, I was being sarcastic, and yes, I've actually had people ask me to cover their bad tattoos with a solid black rectangle. How do you avoid that sinking sensation that you made an irrevocable decision? Here are a couple of guidelines:
<ul><li>Think about your interests. If you've been a hairdresser for 20 years or watch sports religiously (or even attend a religion religiously!) then that could be a good place to begin thinking about something meaningful that you would want to carry around for the rest of your life.</li><li>Wanting a memorial for a family member or friend? The easy solution is their name with a cherub, an angel, a rose, a heart, etc. But to really make it special think of something that signifies what they mean to you. I've had a customer ask for a Janis Joplin portrait because their dad was a huge Janis fan. Recently I put a character from a band's album cover on a friend because he remembers seeing his dad's records sitting out all the time. This makes it more personal and yet at the same time something that if you choose not to explain it to someone, then it's something you don't have to share.</li><li>Think about your past. Remember how much fun you had on that vacation to Florida in 3rd grade that you still think about all the time because you got to pet a killer whale. Recall the scents and sounds and excitement of attending the first game of your favorite pro team.</li><li>Think about names. Really think about names. A lot of people think that nothing says &quot;I Love You&quot; like getting a boy/girlfriend or recent husband/wife's name in the middle of your bicep. While this works for a small percentage of people, the reality is most people end up regretting it down the road for one reason or another. Even if the name is for a child or parent, often a more special tattoo would be something which is more representative of that person (see the above paragraph regarding memorials). For the same price as a name you can often get something small and more meaningful. Not that you shouldn't get a name if you decide that it's right for you. It's just that in my 20 years' experience, I have heard a lot of stories explaining why people have gotten the names that I was in the process of covering with new pieces.</li><li>Hello Kitty. I've seen all sorts of Hello Kitty variations, from a zombie, to a bat, to Darth Vader and a Storm Trooper. The real point is, be creative -- you don't have to stick to something you see everywhere. Change it up, have fun with it, and make it something unique to you.</li></ul>
7. TIP! There are two good reasons that it's a very nice thing for you to give a tip to your artist. The first reason is that unless they are the owner, all tattoo artists only receive a percentage of the cost of the tattoo. The percentage varies from shop to shop (typically around 50%), but the artist will never receive the entire cost you pay for the work done. But they will get to keep the entire tip. The second reason is that giving a tip to your artist is a sign of respect for giving something to you that you can enjoy the rest of your life. As I mentioned before, a good artist will offer a price for the tattoo that is reasonable based on not only what they feel the work is worth, but also with consideration of lots of other factors. If they care about their work they may offer a small adjustment if they become aware that the customer really would like something special but wasn't blessed with a financial windfall. They may also give a military or referral discount (which I do both!). In any case, a tip is a small token that you not only recognize that the quoted cost is in line with the worth of the tattoo, but that you appreciate the quality of the work and the caring your artist put into creating it especially for you.
8. Give a genuine compliment to your artist if you think they did a good job. It's sort of like an emotional tip, and if it's genuine, it can make the artist's entire week!
With a little forethought and some creativity, it's not difficult to come up with something that is cool, beautiful and fits you perfectly. As an artist, I always look more forward to drawing up something unique that only you will have instead of something that a thousand other impatient people have in their skin. Even if it means you walk out tonight and come back next week for something ten times as awesome.&nbsp;
And, isn't it worth it to be the one to receive a tattoo that's ten times as awesome?&nbsp;]]></content:encoded>
			<category>Art</category>
			<category>People</category>
			<category>Work</category>
			
			
			<pubDate>Sun, 30 May 2010 18:02:00 -0500</pubDate>
			
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			<title>Tips For Getting a New Tattoo - Part 1</title>
			<link>http://www.alexheizer.com/blog/post/archive////tips_for_getting_a_new_tattoo_part_1/</link>
			<description>When getting a tattoo, there are a lot of things people do to prepare for it. Sometimes they do...</description>
			<content:encoded><![CDATA[When getting a tattoo, there are a lot of things people do to prepare for it. Sometimes they do very little and sometimes they go all-out. I've had people come into the shop saying they're ready to get their first piece after thinking about it for 15 years, researching designs, researching best practices, researching artists, learning about the materials and the processes... and then I've had people come in saying &quot;I got $90, what can I get?&quot;, trying to decide between designs on the spot which range from one end of the spectrum to the other, the only criteria being that it needs to be below $90.
Here are some tips that can help you, whether you're a first-timer, a long-time collector, or anywhere in-between.
1. Plan ahead. You're getting something painful and inky. Are you going to be road-tripping and sitting in a car for hours? Hold off on the lower-back tattoo. Are you running that local 5k tomorrow morning? Think about whether you really want that tribal piece covering your entire calf.
2. Plan ahead. While many people don't have so much disposable income these days, quality work is worth the money you can expect to pay. Some shops will charge way more than they are worth, and it doesn't mean that an expensive tattoo is worth it. But if the artist has a great portfolio, many years of experience, and when you talk to them they seem to focus more on quality work than on money, chances are even if they are a bit higher than other area shops, they probably are not charging &quot;way more than they are worth&quot;. So expect good shops to have a shop minimum and figure that a tattoo from a good artist is based on the size and amount of detail in the design. In life, there must always be balance, and tattoos are no exception. Just like electricity has a positive and negative, and magnets have a north and south orientation, an artist should be expected to get paid what their worth is. I know of an artist with 15 years of experience who calculates his tattoos at roughly $25 per square inch, which means a piece the size of a Post-It note may run you $200.
Which brings us to the next tip...
3. Research the artist before you commit to getting work done by them. Get referrals from friends and family, and look at work they've done on other people directly. Visit the shop before-hand and go through the artist's portfolio. Speak with the artist directly. In many shops there are multiple artists, so if you don't like one artist's work or the artist themselves, check out the others. There are some basic questions that you can ask which will give you an idea of their quality:
<ul><li>How many years' experience do they have? Even if you like the work in their portfolio, if they are still a new artist there is a lot of experience you get from doing the job for years compared to months. There is a big difference between doing a dozen nice pieces over the span of 3 months and doing hundreds of nice pieces over the span of 20 years.&nbsp;</li> <li>How many places have they've worked (or, what can they tell you of their work history)? While a young artist who has worked in 10 shops already may indicate that the artist is hard to work with and is kicked out of a lot of places (or has bad judgement and gets him/herself INTO a lot of bad places), good artists soak up experiences better than a Sham-WOW. Working in a lot of different environments teaches an artist to try new things, develop new skills, interact with different types of people who have varied skin qualities and design aesthetics.</li><li>What is their work ethic? When you talk to them is price the first thing they mention, or do they listen to you about what you want? Do they ask you questions about other things you're into on a daily basis, and what is important to you in your life? Are they proud of the various pieces in their portfolio and have a story about the person who received the work? Do they get excited about other artists who have nothing to do with tattoos? Regardless of their level of experience, someone who cares about the work they do will be able to give you a much nicer experience.</li> <li>How did they learn to tattoo? There are now schools which offer a 2-week course in learning tattoo. I had been drawing for 20 years before I began tattooing (my whole life!) I had picked up and tried almost every material for creating art by then, including acrylic and oil paints, pencils, pastels and an airbrush. I can tell you honestly that a tattoo machine is different than any other tool and even a good artist needs time to adapt to it and learn how to use it properly. By that, I mean a blind monkey could learn in about 5 minutes how to make a permanent mark in skin using a tattoo machine but it takes months to learn to use it to make lines consistently and to fill in large areas solidly without chewing up the skin. It takes years to acquire the experience to make a quality tattoo every time. Anyone who is worth getting a tattoo from will be honest about this, so if you go to someone who believes they are qualified to guarantee you quality work each time after practicing only two weeks then you'll be going to someone who doesn't know what they're doing.</li><li>How do they feel about their materials? Do they use cheap equipment, or do they understand that using high-quality materials will give the best results?&nbsp;</li> <li>Is their station clean and well-maintained? The care they put into their work area is an indication of the care they'll put into their work.</li><li>Is the artist clean and well-maintained? The care they put into their cleanliness and&nbsp;appearance is an indication of the care they will put into the cleanliness and appearance of your tattoo. If you expect professional results then the artist should be&nbsp;professional.</li></ul>

Look for more tips soon in Part 2!]]></content:encoded>
			<category>Art</category>
			<category>People</category>
			<category>Work</category>
			
			
			<pubDate>Fri, 28 May 2010 21:31:00 -0500</pubDate>
			
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			<title>Making a Good Cover-Up</title>
			<link>http://www.alexheizer.com/blog/post/archive////making_a_good_cover_up/</link>
			<description>A lot of times I will get someone in here wanting some cover-up work, or at the least, recoloring a...</description>
			<content:encoded><![CDATA[A lot of times I will get someone in here wanting some cover-up work, or at the least, recoloring a tattoo that's faded. Sometimes the original is a hand-made piece done when the person was young and impatient and sometimes it was something done by a &quot;professional&quot; in a shop. In either case, most bad tattoos are fixable in one way or another.
When people with bad tattoos come into Skin Deep, they're usually unsure about whether I'd be able to fix their tattoos. I've seen a lot of questionable work coming from Springfield shops, and since this is the first shop to open in rural Rogersville, tattoo fans have tended to make their own artwork on each other. Shop-done tattoos often have a complete design and are either more suited to fixing bad linework and shading or adding to what's already there, but sometimes the only thing that can be done is to find or create a good design to cover it. On the other hand, the homemade designs are easier to take into a completely different direction because of their just being a couple of light lines. 
My first shot is one I fixed while at Top Gun. As you can see from the original photo, it was a badly-done outline of a Japanese design. Luckily, it was partially faded so I was able to put in all of the linework and shading it was supposed to have. The rest of the photos are work that was done here in Rogersville. The second shot was really easy to cover, especially with the design he chose. The rest of the photos were all done on the same person, who came in to cover one but ended up getting something incorporated and came back to get the others fixed up in the same way. 
If you have some work that you aren't happy with, come in and see me or send me an email!]]></content:encoded>
			<category>Art</category>
			<category>People</category>
			<category>Work</category>
			
			
			<pubDate>Tue, 25 May 2010 14:52:00 -0500</pubDate>
			
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			<title>Now at Skin Deep Tattoo in Rogersville, MO</title>
			<link>http://www.alexheizer.com/blog/post/archive////now_at_skin_deep_tattoo_in_rogersville_mo/</link>
			<description>For the past 2 months, I've been managing a new tattoo shop located in Rogersville, Missouri, named...</description>
			<content:encoded><![CDATA[For the past 2 months, I've been managing a new tattoo shop located in Rogersville, Missouri, named Skin Deep Tattoo. It opened on Halloween of last year and business has been building steadily.&nbsp;<br /><br />Being in a small town outside of Springfield allows me to have some advantages over the shops located inside the city. First, the local tattoo fans are very enthusiastic that there's finally a shop right in town. This gives the shop great energy right off the bat whenever someone comes in. Second, being outside the city itself allows us to provide awesome work but considering the low overhead, our prices are more reasonable. Third, people around here have an impression of the Springfield shops as far as attitude and quality. They come into our shop without any preconceptions which makes it easier to show them what we're all about and build their trust and loyalty.
Summer is coming and people have been scheduling appointments, so it looks like I have a very fun summer ahead of me!
If you would like to schedule an appointment or just come in and check out the shop, we're located at the corner of Highway 60 &amp; VV in Rogersville, right next to Hardee's. Our phone number is (417) 753-9055. We're open noon-9pm Tuesday - Saturday.]]></content:encoded>
			<category>Work</category>
			
			
			<pubDate>Sat, 08 May 2010 06:40:00 -0500</pubDate>
			
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			<title>Keeping Inspired - Drawing a Day</title>
			<link>http://www.alexheizer.com/blog/post/archive////keeping_inspired_drawing_a_day/</link>
			<description>Keeping inspired is really important for an artist. Although I haven't been posting my Drawing a...</description>
			<content:encoded><![CDATA[Keeping inspired is really important for an artist. Although I haven't been posting my Drawing a Day drawings every day, I've been able to make sure to draw every day.<br /><br />Since the purpose of my New Year's Resolution is to keep creative and keep moving, learning and growing in a positive direction, sometimes being creative doesn't mean it has to be an actual drawing each day. The big thing is to intentionally do something each day which helps my drawing, staying conscious of how the &quot;something&quot; helps me grow as an artist, and how learning or doing whatever it is contributes to getting to my goal as an artist.&nbsp;<br /><br />For as long as I can remember, origami, the Japanese art of paper folding, fascinated me. The idea that a simple flat square of paper could be transformed in seconds into a recognizable representation of something else gave me an almost magical feeling. One of the first things I remember doing with origami was in 1984 when I heard&nbsp;the story of&nbsp;&nbsp;Sadako Sasaki&nbsp;of&nbsp;Hiroshima, who tried to stave off her death from radiation sickness&nbsp;by making one thousand origami cranes. Her classmates and other friends finished them for her after her death. I had learned at one time how to make a crane, and the story inspired me to begin making 1000 cranes as a symbolic way to wish for the end to the Cold War, which was escalating rapidly at the time. This year, one of the book stores had an origami-a-day kit which contains 365 sheets of origami paper and instructions to make something new each day. Doing this got me interested in other designs that I hadn't done yet, so one of my Drawing a Day things was a samurai helmet, shown here.&nbsp;<br /><br />Looking for origami projects (which led me to the samurai helmet) also led me to napkin folding instructions, to help make a table setting more elegant or festive when using cloth napkins. We have some cloth napkins here, but no iron or starch, so I practiced a few designs but the best one of the bunch was this Bird of Paradise motif. It could still use some ironing and starch, but it looks great just as it is.<br /><br />The third Drawing a Day drawing I'm posting comes from another book store kit to help you learn Chinese watercolor painting. Watercolor has never been my strong suit, and the delicate tones and free movement that traditional Chinese watercolors display have always inspired me. I thought, if I could finally learn even a small fraction of the technique for capturing the feel and atmosphere of a traditional Chinese watercolor, I will be a much better artist and be able to convey more of my artistic vision to people seeing my work. So, this last photo is of a koi fish swimming in a stream in front of mountains. This is a bad composition, but it's actually two practice paintings on the same piece of paper. I just thought each turned out very well for me, and I did them at the same time, and it doesn't look that bad to have a koi swimming in a stream with mountains in the background.
]]></content:encoded>
			<category>Drawing a Day</category>
			
			
			<pubDate>Thu, 28 Jan 2010 22:54:00 -0600</pubDate>
			
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			<title>January 9-11 - Can your Blackberry Do This?</title>
			<link>http://www.alexheizer.com/blog/post/archive////january_9_11_can_your_blackberry_do_this/</link>
			<description>This manga drawing was done on my iPhone, using the Layers app. Although it took me 3 days to do, I...</description>
			<content:encoded><![CDATA[This manga drawing was done on my iPhone, using the Layers app. Although it took me 3 days to do, I consider it to fall within my self-imposed rules for making a Drawing a Day. I definitely drew each day.<br /><br />It also fit within my philosophy of making sure that if you create something, you make it the best you can accomplish if you are going to do it in the first place. It's not the best piece I have ever created, but I learned a lot about using a new digital medium and in that way I did the best that I could on it given the restraints.<br /><br />Hope you like it, and I hope it inspires you to look at something new and see the potential rather than the limitations.
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			<category>Drawing a Day</category>
			
			
			<pubDate>Tue, 12 Jan 2010 04:34:00 -0600</pubDate>
			
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			<title>January 8 - iPhone painting (Drawing a Day)</title>
			<link>http://www.alexheizer.com/blog/post/archive////january_8_iphone_painting_drawing_a_day/</link>
			<description>This drawing is posted a day late. I wasn't able to use my computer yesterday but I did create...</description>
			<content:encoded><![CDATA[This drawing is posted&nbsp;a day late. I wasn't able to use my computer yesterday but I did create a new painting on my iPhone, in the Layers app. I think it came out pretty good!&nbsp;<br /><br />Drawing on an iPhone takes a different technique. I managed to develop a technique which gave me good results, using a combination of brushes, erasers and color sampling.&nbsp;
For the subject, I took my inspiration from the artist Yuehui Tang, a contemporary artist whose work I love. I hope you like this one.
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			<category>Drawing a Day</category>
			
			
			<pubDate>Sat, 09 Jan 2010 23:23:00 -0600</pubDate>
			
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